A vocalist’s success in the current non-classical recording industry often favors stylistic uniqueness over technical excellence. The aesthetic in non-classical music has evolved from beauty to authenticity. This paradigm shift has precipitated a prevalence of sounds that are not addressed in a traditional singing lesson. The purpose of this presentation is to show effective coordination for producing some of the more deviant phonations that are often unsustainable without modification. Vocal overuse problems are further exacerbated by the increased touring demand brought on by the digital piracy revolution. Successful strategies for teaching and executing these deviant sounds will be taught through group participation with an accompanying high speed stroboscopic demonstration of four modes of “extreme” phonation utilized in rock, heavy metal and gospel music.
Learning Objectives:
